{"id":45,"date":"2017-01-20T14:45:04","date_gmt":"2017-01-20T14:45:04","guid":{"rendered":"http:\/\/poterie.standby.team\/?page_id=45"},"modified":"2022-01-02T16:03:44","modified_gmt":"2022-01-02T16:03:44","slug":"le-raku","status":"publish","type":"page","link":"https:\/\/augresdutemps.com\/en\/le-raku\/","title":{"rendered":"Le Raku"},"content":{"rendered":"

When it first appeared in France around 1880, this Japanese word was translated phonetically as “RAKOU”.<\/p>\n

It designates a ceramic whose birth is linked to the development of a globally aesthetic universe, evoked by the word “WABI”: the beauty of imperfection, of the incomplete, of the irregular and of failure. Fired around 1000\u00b0, the piece undergoes a violent thermal shock, and is then smoked. Each piece is therefore completely unique.<\/p>\n

<\/p>","protected":false},"excerpt":{"rendered":"

When it first appeared in France around 1880, this Japanese word was translated phonetically as “RAKOU”. It designates a ceramic whose birth is linked to the development of a globally aesthetic universe, evoked by the word “WABI”: the beauty of imperfection, of the incomplete, of the irregular and of failure. Fired around 1000\u00b0, the piece … Continue reading Le Raku<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"class_list":["post-45","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t